Star Trek: The Original Series premiered on NBC on September 8, 1966, with "The Man Trap," a tale of lost love, extinction, and salt vampires. The brainchild of Gene Roddenberry, it introduced viewers to a cast of characters who are still gracing televisions to this day: William Shatner's stalwart Captain James T. Kirk, Leonard Nimoy's stoic, logical Mr. Spock, and DeForest Kelley's cantankerous, hot-headed Dr. Leonard "Bones" McCoy. Although it was ultimately cancelled after three seasons, it would accrue a legion of fans, living on in syndication and spin-offs to this day.
On TV, horror was the domain of The Twilight Zone and its rival, The Outer Limits. The Twilight Zone was the brainchild of Rod Serling, who was Roddenberry's longtime friend, and had ended its run in 1964 after five seasons; both Nimoy and Shatner starred on memorable episodes of the show. George Clayton Johnson, who penned the episode, was a veteran of the series, as well; one of his episodes, "Nothing In the Dark," featuring a young Robert Redford, is one of the series' most acclaimed entries. However, by 1966, both series were off the air, and a new flavor of horror was in the air.
For decades, horror had been seen solely in black and white. The American horror canon was strictly monochromatic, from the silent horrors of Lon Chaney Sr., to the Universal Monsters of the 1930s and 40s, to Alfred Hitchcock's chilling Psycho. However, the genre was moving into color, challenging censors and moral guardians, with the horrors of Britain's Hammer Film Productions spattering crimson all over movie screens on both sides of the Atlantic. Star Trek was filmed in vibrant color, one of several contemporary series meant to sell color TV sets, and it was about to bring full-color horror to America's living rooms.
The episode opens with the USS Enterprise paying a visit to the planet M-113 and its only inhabitants: Professor Robert Crater (Alfred Ryder) and his wife, Nancy (Jeanne Bal); years ago, Nancy and Dr. McCoy had been lovers, but they hadn't seen each other in decades. It's clear from the start that there's something unusual about Nancy: Bones sees her in the flower of her youth, Kirk sees her as middle-aged, and Crewman Darnell, who accompanied them, sees her as a different woman entirely. She leads him off alone, and the next time we see him, he's dead, with his cold flesh covered in lurid sucker-marks. His death presages the many "redshirts" who would come to gruesome ends in future episodes, although he wears blue. Nancy is the culprit; she's a shapeshifting vampiric creature, subsisting off salt leeched from living beings. Nancy, disguising herself as another dead crewman, makes her way aboard the Enterprise and begins stalking the ship's crew. In two tension-filled scenes, it encounters, but does not attack, Uhura (Nichelle Nichols) and Janice Rand (Grace Lee Whitney); befitting the horror tropes of the time, they're both women, although the Nancy-creature clearly doesn't discriminate.
Eventually, Kirk and McCoy learn from the half-mad Crater that the real Nancy is long-dead, killed by the very creature that now impersonates her, desperate for companionship, he allowed the creature to take on her form, and kept it alive with salt tablets. We are left to imagine that the comfort the creature provided him was solely emotional; anything more would have been far too horrifying for 1960s network television. After it kills Crater, his usefulness now seemingly at an end, Kirk, Spock, and Bones finally confront the creature aboard the ship, where it reveals its true, monstrous appearance. Here, too, it is a more visceral monster than those featured in its predecessors; it resembles a cross between an ape, a lamprey, and a desiccated human corpse. Spock, whose Vulcan blood makes him unappetizing to the creature, cannot harm it, even with his prodigious strength.
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